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Yes, my book is included!

THE SFWA SPACE IS BIG BUNDLE

The SFWA Space is Big – Curated by Michael Mammay and the SFWA

The late, great, Douglas Adams wrote: “Space is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space.” Perhaps the only thing bigger than space itself are the stories that take place within it, and in the latest bundle curated by SFWA, we have 15 great ones for you at one low price. We hope you’ll join us for this entertaining ride between the stars.

The Science Fiction and Fantasy Writers Association (SFWA) is a nonprofit organization dedicated to promoting, advancing, and supporting science fiction, fantasy, and related genre writing around the globe. For this bundle, the SFWA Independent Authors Committee had the pleasure of sorting through over nearly a hundred excellent submissions! It was tough, but we narrowed our selection down to the ones we thought you’d enjoy the most.

In Brain For Rent (Hardly Used), a conman wrestles a ship’s AI that’s taking up space in his skull. In Hometown Space Pirate, an unlikely protagonist fights to save an alien from a race of AI beings. Redshift Rendezvous is a hard science fiction work by John E. Stith, an author praised by Dan Simmons of Hyperion fame. Primary Inversion, by Nebula Award-winning author Catherine Asaro, features a bioengineered fighter pilot. In Skylark in the Fog, a group of space scavengers bite off a bigger adventure than they wanted when encountering a powerful enemy, and have to ally with a monarch who can control AIs. This was a fantastic group of submissions so solid that cutting them down to these fifteen gems was quite a task—but we think the result speaks for itself.

You’re going to love this bundle.

– Michael Mammay and SFWA

* * *

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

• The Empyrean by Katherine Franklin
• Shadows of Mars by I.O. Adler
• Hometown Space Pirate by C.G. Harris
• Hammer and Crucible by Cameron Cooper

If you pay at least the bonus price of just $20, you get all four of the regular books, plus ELEVEN more books for a total of 15!

• The Venus Cycle Omnibus by Ryan T. McFadden
• The Signal Out of Space by Mike Jack Stoumbos
• Goodbye to the Sun by Jonathan Nevair
• Redshift Rendezvous by John E. Stith
• Sounding Dark by Jo Graham
• Skylark in the Fog by Helyna L. Clove
• Redspace Rising by Brian Trent
• Rattle Man by E.H. Gaskins
• Brain For Rent (Hardly Used) by D.M. Pruden
• Primary Inversion by Catherine Asaro
• Memory and Metaphor by Andrea Monticue

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get a DRM-free .epub for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

• Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
• Pay what you want (minimum $5): You decide how much these fantastic books are worth. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
• Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
• Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to The Science Fiction and Fantasy Writers Association!
• Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook. For press inquiries, please email press@storybundle.com.

I recently watched a movie that started off with a bang when a peaceful human village is attacked by a horde of large, orc-like monsters. Between the grisly, flesh rending scenes, I noticed many details about the monsters: (Let’s ignore that they were played by human actors, which dictated much of their form and just go with the direct observations. )

• Though they had faces that “only a mother could love” there is evidence (torso structure and arm aticulation) that they were of hominin descent. This means that they use sexual reproduction, and some members of their society are probably dedicated to child-rearing. Monsters don’t just spring up like wildflowers.
• They wore leather clothes and jewelry. This suggests that some members of this monster society are tanners and jewelers. It also gives us an indication that they have some concerns about personal grooming. 
• They used distinct Iron Age weapons. They weren’t stolen, so they have some working knowledge of metallurgy. This is not insignificant.  Stupid beasts do not become blacksmiths.
  • How many of us were surprised that there are Klingons who are lawyers, scientists, and even bookkeepers? We shouldn’t have been.
• They communicated and worked as a team. 
• They are demonstrably carnivores who have a particular taste for human flesh. 
• While the individuals shown on the screen were a fighting unit, they were not particularly effective as warriors. Though they outweigh a typical human by two or three times and clearly use this to be intimidating, they are easily outmatched by humans with even a modicum of martial ability. One monster was defeated by a woman who went all “momma bear” with a kitchen knife on his ass.

Now for some speculation:

• Monsters probably don’t think of themselves as “Monsters” unless we include a Pixar series of cartoons. Bad Guys never think of themselves as the Bad Guys. Even Nazis didn’t think of themselves as the bad guys. So what is their motivation for attacking a peaceful human village? They could hunt other animals who don’t have sharp, pointy metal things to fight back with. Though the humans won the battle only with the intervention of magic, the monsters lost a good percentage of their group in standard melee battle against mostly untrained humans. Is it really worth the cost to hunt humans? Cows don’t fight back. 
• Given the above speculation, I’m going to further speculate that they attacked the humans because:
  1. They were ordered to.
  2. They have the bigotry of religious zealots against humans.
  3. They thought they were defending their territory against the humans. This one’s a little difficult to sell considering the monsters had to march a great distance to find the humans. 

I suspect that the individual monsters really had no idea why they attacked the humans. In the movie, it turns out that the Arch-Bad Guy was looking for humans who would eventually challenge his Evil Empire, and was practicing a parched earth policy approach to the problem. 

I can imagine the pre-march speech made by the Arch-Bad Guy: “The humans eat your babies! They are forcing your children into slavery! They want to take away your swords! They worship false gods! You must be prepared to die for our holy war against the humans!”

Hey! Monsters have agency, too!

We’ve had this trip to Europe planned since pre-pandemic days. Still, we were willing to post-pone it if that was necessary. For quite a while, we were certain that the U.S. wouldn’t let us out, and that the E.U. wouldn’t let us in. Still, we’ve been inoculated (I’m still not clear on the difference between inoculated and vaccinated is.) and we’ll have a booster before we leave. Also, even though the infection rates here in Oregon remain comparatively low, we’ve decided to limit outside contact during this next month just as an extra layer of precaution. 

Aside from all of the normal stuff one worries about pre-departure, we’ve also been jumping through all the health hoops. Everybody wants a copy of our vaccination cards. And by everybody I mean the travel agency and all the countries we plan to visit.

Hungary insists on proof of a negative PCR test within 72 hours of entering their borders. Logistically, this has become a nightmare. We are leaving the US on Monday and will arrive in Budapest on Tuesday. The local places where we can get a PCR test here in Oregon are not open on Sundays, and so we’ll have to get the test as late as possible on Saturday in order to squeeze in under the wire in Budapest on Tuesday. If any of our flights are delayed, we’ll be screwed. Also, we’ll need something similar before we return. Our route ends in rural Sweden, where they charge about kr 1,000 (~US$116) for the test. I guess they are really proud of their PCR test. It’s going to be another game of getting the test and then sliding into customs in Dallas as the clock approaches the deadline.

For a while, the Travel Agency would not allow unescorted excursions through the target cities. (They call it “self exploration” but I call it “unescorted excursions.” Self exploration has other connotations, and I don’t want to give any false impressions about what I’m doing.) Don’t get me wrong: I understand why they did this, and I support the extra effort to ameliorate any impact tourists might have on public health, but we are spending way too much money on this trip to simply stand on a boat deck and watch Europe as we float by. We were ready to postpone or cancel the trip until the Travel Agency changed its policy. We can do whatever we want as long as we follow the rules of whichever country we’re in. The ship’s crew will also be keeping a close eye on our health. I think they feed you to the sharks if you return with a fever.

Another issue I’ll have is taking finals. The Winter term at OSU ends on December 10. I can take the tests remotely, but that means taking the test at the Hilton Budapest, or in a boat cabin.

Stop!

Before you give me your high school genetics explanation about how there are only two genders, here’s some stuff you probably didn’t learn in the 10th-grade biology class:

• Mendel cooked his data.
• There is evidence to support that eye color is determined by at least fifteen gene pairs. Let me know when you’ve worked out the Punnett squares for that.
• Phenotypes do not always match genotypes.
• Genetic cross-over happens a lot.
• Humans are not peas.
• Your HS biology teacher probably only had two weeks to teach a very complicated subject. A lot of corners were cut.

Consider that before attempting to explain gender genetics to me.

I read Heinlein’s The Number of the Beast when it came out in 1980 because I was reading everything about Heinlein. Also, I had read the serialized teaser published in Omni Magazine in 1979.

One of the consistent criticisms of Heinlein’s work is that the middles of his books are always too long, and Beast was the epitome of this. The majority of the book is taken up by the four main characters arguing with each other over minutiae that does very little to progress the plot or the character arcs. The only good part about it are the many in-jokes aimed at his fans, but for my money, it was not enough to carry the middle.

In my career as a fan of science fiction, the only writer who gives Heinlein competition for middles that are way too long is Stephen King.

It was announced in 2019 that a “parallel” book to Beast, titled The Pursuit of the Pankera, would be published. The advance publicity for the book claimed, “…unknown to most fans, Heinlein had already written a ‘parallel’ novel about the four characters and parallel universes in 1977. He effectively wrote two parallel novels about parallel universes.”

I was unconvinced. It sounded too much like all of those Shakespeare plays that were ‘discovered’ long after his death and were later shown to be forgeries. Still, I would have to read it.

I am now convinced that Pankera is a genuine work of Heinlein. How am I sure? Because the middle is way too long, and is generally taken up by the four main characters bickering about nothing.

The first 100 pages or so are almost identical to Beast, and then the plot goes off at a 90° angle, which I’m sure is no coincidence.

Both Beast and Pankera are stories about four people who build a machine capable of transitioning between universes and attaching it to their airplane. The airplane’s autopilot, Gay Deceiver, becomes a fifth character in the story. You’ll no doubt recognize many of these universes as science fiction mainstays. This puts them on the spectrum between parody and homage of these other stories.

503 pages with only about 200 pages of actual story.

Publisher: CAEZIK SF & Fantasy

#bookreview #heinlein #thepursuitofthepankaera #thenumberofthebeast